Raspberry, lime, eggplant, lemongrass -- notice how many foods give us color names -- so what would be something fun to do with that?
Friday night my new El Cielo "Field Guide to Color" workshop debuts, the first that has included a Friday night get-together pot luck. In researching exercises and approaches I found virtual rainbows of color theory, color quizes, color lore. Just a few sites I stumbled across:
This site has lots of good information, including a 16-part series of lessons on color, most applicable to painters but with some nuggets for fiber artists.
Very cool color blog with interactive games and other very interesting posts. Check out Igel Asselborg’s posts on saturation, hue and brightness.
Artist and teacher Rob Roy Kelly teaches a mini course on color. Good exercises from someone who studied with Albers.
Professional color consultant’s site with lots on verbal color lore.
Color Visualizer tool can be helpful way to find coordinating colors for a project, even if its not a room.
Virtual color museum with broad scope of information
more cool interactive color games, there are some really challenging ones dealing with saturation and value.
What a timely investigation it's turned out to be -- I have been designing a large art quilt to send off to the FASA juroring and managed to pick myself a quite challenging color palette -- one that is using cool colors to approach and warm colors to recede -- though the green/yellows are on the cool end of the cone for that hue. Anyhow, I love the composition, but I am not sure the color values work as well as I would have liked. Doing the reading on these sites, reminded me: IT'S THE CONTRAST NOT THE COLOR. If you don't have the bones down in your compostion using value, then, making the color work is always more difficult. This piece has a ground and figure, that while they are different in hue, are very close in value, so now I wonder if it holds together. Here's a couple of details in progress only, in case I decide to hold this one as one of those " it can't ever have been published or shown before you enter it" pieces. (How does one decide?)
And, speaking of workshops, for those of you even thinking about attending my next El Cielo workshop November 4-5 -- "Text on the Surface." -- this weekend's event is the second one to completely fill and have a waiting list. So if you are interested, check the description on the link and email or call. If you don't have my contact information, leave a comment and I will forward the complete brochure. We are having a fabulous time out here in the country. (And, yes, I know it is THE Quilt Festival weekend -- so come to Texas, go during the week, and let the crowds have the show on Saturday and Sunday, come to the Hill Country for the weekend -- that's what I'm going to do.)