Uncle, That's me calling it.

And double that, uncle. I just wrote a long eloquent entry and the stupid website logged me out without the supposed automatic save!!

So, here we go again.

Remember "uncle," that's me calling it on the online course deadline. It will be done when it will be done. I am so close, but then my computer power management chip went fluooey, causing me to have a major crash and to have to have my entire system restored, rebooted, etc. All is well, I did have a fairly recent backup of my files, but I don't have all the software that I have downloaded -- that has to be redone. And more importantly to the pressure cooker, my MAIL program seems to be intent on downloading all 7.3 gigabytes of mail that my gmail account has in archive since September of 2007. Go figure. I am trying not to take it personally, but I am taking it to heart.

Sometimes when a project, an endeavor takes on swimming-upstream direction it's a good idea to look at what's going on and try to adjust to reality. Perhaps this, my online course,  is just not meant to be done by end of February! I have a tower of deadlines, a DVD script to finish that will, indeed, be a digital course all on its own, with someone else to market it! My dreams seem to be coming true but in a manner different that what I imagined. Gee, how often does that happen? If I stop spinning my wheels and try to do what seems to be the next best step, I suspect that all will go a bit better, right?

I still plan to launch my own version of an online workshop -- but the schedule is changing as of now. I'm giving us all another month to get it together and meanwhile, I'll tell you what I have in mind.

I've still got everyone's name on a little database of addresses (fortunately that stayed intact!) of those who have expressed interest -- oh, let's see, two months, three months back --  and I'll let you know when its time to go.

Meanwhile, here's the outline of what I'm thinking about and a few steps to get you who are interested started on the process, in your own "sweet" time, I hope.


Week One -- Getting Started with Text on Textiles -- Ideas, inspirations, examples and collections to get going. Finding the right words for your personal stories, research and word-weaving. Fast forms to get your hands in motion and to start the ideas flowing. Supplies to gather, materials to look out for, prep to get you going, playtime in the studio and on the journal page. Writing exercises to continue throughout the course.

Week Two -- Cut and Paste, Word Collages. Use a variety of collage and composition techniques with magazine and found text to make original collages. Step-by-step exercises in making collages with contrast, meaning and form. Hand-cut letters to make it personal. (Optional: Playing with scale, using your copy machine or all-in-one printer to make magic with collage).

Week Three -- From Text to Textile. Paper Cloth collage techniques combine fabric and collage with tissue paper and glue. Then put your collages to work on fabric with phototransfer techniques using an inkjet printer and thermofax (optional). Several different techniques for transfering images using common digital equipment -- your's or the copy shop's.

Week Four -- Stamping out a Message -- Learn to make original alphabet and word stamps with easy to find craft store materials, erasers and other cut-and-glue techniques. Techniques for making clean stamped images and more.

Week Five -- Write with the Sun -- Sunprinting using words and letterform images. Layering words and text. Tricks for humid or cool climates from the experts. Mixing your own paints for sunprinting.

Week Six -- Putting it all together. Ideas for using your words on the surface, your text on textiles. How I put an art quilt together. Continuations and completions. How to keep working from your own stories. Group gallery of work, samples and ideas in process.

Week Seven -- OPTIONAL -- Using soy wax batik to add words to the surface -- scrafitto, stamping, brushwork and tjanting tools. And even how to use wax writing to make an original screen print. This is an optional week since not all participants will want to make the investment in materials and tools that are required for batik and screenprinting.

What you can do to get started now:

1) Start cutting out words and letters and save them in a cigar box. (or something similar). Just cut or tear from magazines and newspapers

2) Keep your eyes out in the craft store for foam letters, magnetic letters and word and phrase stamps that you like -- especially if they are on sale

3) Keep your eyes out for a working fry pan at the thrift store if you plan to investigate soy batik.

4) Make a collection of quotes that you like on a topic or two dear to your heart. Put them in digital form.