I wish! If I could do anything and money were no object, well, I would be there at the joint SDA and SAQA Conference and FiberPhiladelphia coming up in a couple of months. I am waiting for a sign from the universe that money IS no object, but it hasn't come yet!
One nice thing, though. I will be represented by a piece of work in the Art Cloth Network exhibit LINES AND NUMBERS, a combined exhbit of two juried shows, one determined by size and the other by the placement of a line in the fabric composition. Its just a treat to see how each artist handled these challenges, and each work shows the strength and voice of each individual.
If you'd like to see more, Barbara Schneider, one of the Art Cloth Network's team who has made this show possible (along with Dianne Hricko and Judy Langille, in particular), you can order a catalog from BLURB here:
Lines and Numbers Two Exhibitions by the Art Cloth Network Barbara J. Schneider
If you go to this link (above) it will take you directly to our book. You have options then as to whether you want your copy to be soft cover or hardcover or with a dust jacket. The ones I ordered are black linen with dust jacket for $33.95 each plus shipping. Soft cover is 22.95. I would not recommend the IMAGE WRAP hard cover. If you are planning to order before end of January they have a $10 off code NEWBK2012 if you spend over $50. You can decide on shipping which reduces the cost of you don't need it ASAP.
Here's the piece I have in the exhibit (exhibit originally titled 24 by 90, juried by Els van Baarle).
This is a second piece inspired by the same sunny day walk by my neighbor's century tree agave, swarming with hummingbirds.
and here is a detail of the first:
Both of these pieces are available for sale, if you are interested send me an email!
Meanwhile: here's how they were done.
Both are adaptations of the process that I demonstrate in my QUILTING ARTS DVD "Mixed Media Textile Art," using screenprinting with multi-color printing, over stencils (the ironed on shapes of the agave and blooms and the shapes of the hummingbirds. I cut the design stencils, iron them onto the fabric (in this case a rather strange one -- blackout curtain material fused to poly felt). Then I color a blank screen, using water-soluble crayons, that I then lay over the stencil and screen print with polymer medium or screen-printing medium from Golden until the colors release and transfer to the fabric. The background of the piece is mostly done with just a blank screen using the same technique with a variety of different kinds of crayons, and added to with light acrylic textile paint washes. I then screen printed the little squiggly energy marks, kind of short hand for the movement of the hummers. The textured leaves were printed with a thermofax made from a microscophy image of leaf veins, and screened over the stencil of the agave leaf shapes.
If you'd like the basics about this technique, you can still buy the DVD from Quilting Arts at:
and see a sampler video at: