More about El Salvador

A parade down a quiet street in San Salvador this morning -- raindrops on the window are testament to the weather here, thanks to the hurricane across Central America.

Think of this blog entry as a collection of personal research with links to sites with information and resources:

.:CIA World Factbook -- El Salvador 

.:Discover El Salvador

.:Pequeños Hoteles

.:Lonely Planet El Salvador

PS: El Salvador made the Lonely Planet's list of "the top 10 countries for 2010" 

If it ever stops raining I think I will be able to see more! And we worked a lot today. If you are interested in more about schools and education in El Salvador, see the posterous blog, "What can a school be? Que puede ser la escuela?"

San Antonio to San Salvador

The first impression: green, low grey heavy sky (that's the flow over from the hurricane on the other coast of Central America), and, at the airport, a surprising scarcity of tourists as measured against folks headed to their homeland from US work and relocation. As my colleague, friend and sister traveler Julia said, "The Salvadoran experience really starts when you get on the plane to San Salvador." Full of families going home, workers returning, loaded with gifts, full of stories, children and elders. Once in the city, the landscape is mountainous, with the city and its suburbs wrapped around and climbing up the steep green peaks wreathed in whisps of clouds. And, surprising my parochial expectations, FULL of American companies -- every fast food imaginable, glass blocks of Citi-Bank, an expansive sprawl of Legorreto designed mall, well, you get the picture.

We're here (and in Guatemala) for three weeks of working, talking, sharing, finding ways to support the maestros and directores from those who've returned from their year of education in San Antonio at Alamo Colleges. For the past 11 years of so, I've spent anywhere from a couple of weeks to several months (as it is this year) working with the maestros as a special instructor/designer, mostly teaching technical and material and design skills matched to creative curriculum development.

This is my first trip to Central America, and I'll be blogging here, and also, with more work-related posts on the posterous blog I've set up to use with the teachers and in the schools that have internet connections. If you want more than the artist's impressions and inspirations that I'll post here, surf over to those little posts and pictures to see more of what's going on in the schools we visit.

Loving It Big City

 

A Labor Day outing to Houston has proved to be  qn unusual and wonderous blend of image, taste, sound and fizz. We've been dog and cat sitters at a friend's house in the Montrose, so the everything in the inner loop -- musuems, music and more --  has been easy and accessible. The home of our friends makes a luxury hotel room look like a seedy second choice. Pool, kitchen, art and fabulous architecture have given us a home away from home without exception.

Amazing ancient textiles, mummies and incredible coffins shaped like boats were centerpieces in the Silk Road exhibit at the Museum of Natural History. The brocades and tapestry weavings were delicate and preserved by the dessert climate where they had been entombed -- colors still discernable after nearly 2000 years. The older tombs and mummies were hauntingly beautiful, speaking to us across nearly 4000 years of the lives and times of these families of traders and trade route merchants.

More to come later -- this post is interupted by yet another call to travel -- up to the Woodlands for dinner tonight.

 

Besides CREATE-ing, here's Chicago

On my way to the train, Rosemont lives up to its flowery name.

On my "off" time, I spent a couple of half days in the city. Chicago on a summer day is a beautiful place to behold. The heat had broken; the skies were blue; people were everywhere (can you tell I am now a real courtry mouse?) and I spent most of my time just walking and looking.

Here are a few more pictures:

Millenium Park sculpture -- The Crown Fountain --  by Spanish artist Jaume Plensa.

 

These young ladies at Cloud Gate were dressed in gowns for their performances of classical music in the park.

It is imperative to shoot your own photos in Cloud Gate's reflective surfaces, 5000 times is about normal.

The Palmer House lobby ceiling -- iced tea never tasted so grand. Why were all those people downstairs at Starbucks?

From a water taxi landing on the Chicago River.

Navy Pier was hosting the tall ships -- I didnt have time to get too close (or even to buy a ticket), and the crowds on Saturday were overwhelming!

Creating in Chicago at CREATE



What was most fun ? Teaching, yes, then the great paint-a-thon with Leslie Jenison and Jamie Fingal (Dinner at Eight artists). Pics below of all the activities. (Next post, adventrues inside the Loop.) I'll add names later, my notes are buried in the suitcase. But All of the Artists did great work as you can see. Thanks to all of them for their work, creativity and willingness to learn a new skill - - and to haul all the big supplies needed!

 

Aren't these fabulous pieces of fabric? They are all water soluble media with silkscreening medium on paper or fabric, with stencils, drawings by the artists. We spent the day exploring and experimenting and getting everyone past a "fear of the screen." Apparently, that's a big one. NO NO, do not be afraid. Here's my DVD of the process in this workshop from Interweave Press --

Marilyn C. from Canada made some wonderful layered pieces.

 

Judy L. with one of hers. Look carefully for the bird shapes.

 

Mary Ann worked on fabric and paper and did some sophisticated abstracts to use in her mixed media work.

 

Fran played around with a lot of textures and layering

Francine (Fran 2) said this was her favorite of all, made with tape resist on the screen.

More after hours: Jamie Fingal, Leslie Jenison and Judy Coates Perez at the instructors' reception:

Artist Natalya Aikens was also in the workshop led by Jamie and Leslie. She's drying our big collaborative canvas. We all took home pieces of two canvases, ready to work into other art inventions.

And on to the City

I arrived in Houston last night to present two lectures and a one-day workshop for the Houston Fiber Artists, HAFA. Great reception and hospitality so far, and I'm off to the second lecture in a few minutes. The Friday workshop has given me the opportunity to jump back into my planning for my online course test -- yes, it really is coming. On Friday I'll do the "live" version of Words on the Surface, and next week I'll launch the on-line version. So if you missed the Houston workshop, stay tuned for sign-up info about the course coming soon. My test pilot group will receive first dibs on enrollment, since I'll keep it at 15 max for this first venture online.

If you haven't added yourself to my test pilot group, please send me a note through the sidebar email form or just directly. I'll put you in the notification group. Words on the Surface will include creativity exercises and writing, collage, mixed media printing, stamp-making and fabric stamping, sun printing,  ink jet printing and maybe a couple of other techniques -- in a 6 lesson format with one lesson a week. I hope to include video and slide shows, and a lot of links to online resources and examples.

P.S. The completion of the Youth Ambassadors program at Selah and then at Say Si was a great success. The kids are now at Tapatio Springs, for their final wrapup with Georgetown University staff and their mentors, in liu of traveling back to Washingon, DC. An impossible journey given the snow!

J. David Bamberger speaks to the Youth Ambassadors group about his amazing journey to restore habitat in the Texas Hill Country, entreating them to do the same in their own countries -- both for the land's sake and for the economic potential in such activity.

 

Space in Spaces - photos from summer travels

Bus and street reflections, St. Petersburg

SPACE is one of big time favorites.  I work from and within spaces whether I am working on an art quilt, art cloth or, wearing one of my other hats, as a museum and exhibit designer.  As a textile artist, I like working with unusual spaces, and often my work is shaped or irregular, simply because that seems much more interesting to me than a rectangle or square. It may be one of the reasons I like textile arts in general -- the spacial use and ideas are much more diverse than that of the space of a painting -- which is all created by illusion of depth of field -- the one kind of space I'm NOT that interested in.

Here are a few of the photos from this summer's Scandinavian travels that have particularly strong use of SPACE. (This is part of a series of nine photo collections that record different aspects of the Sensory Alphabet -- a tool I use for organizing images, working creatively and collecting input and organizing new ideas.

The British Museum with Kings Crossing in the background

Arcade, St. Petersburg

Berlin, Memorial to the Murdered Jews of Europe

 

Berlin

Church on Spilled Blood, St. Petersburg

Light, illuminating new ideas

Sometime around midnight, somewhere in the Baltic SeaPerhaps the most stunning and interesting photographs from my recent travels in Scandinavia were those with strong LIGHT content -- not only because photography is all about light, but because the quality of those 20 plus hour days of daylight were so potently active as to our psychic relationship to the space and time. Daytime has a much more expansive meaning when the sun "goes down" at about 11:30 pm and rises at 3 am, and truely, it never is really dark. The white nights of Russia, Finland, Sweden certainly color the activity and spirit of the places. Even though we were ship-bound in the evenings and nights due to our sailing schedule, it was easy to see that the lives of all the ports went on way into the wee hours. There were truely more hours in the day to do things and in general, people seemed intent upon enjoyment of all the pleasures of daylight. Guess it shapes your summer when you know 18 hours plus of dark is coming all too soon!

Linda in a Light exhbit at the Design Museum in CopenhagenConservatory at the Sculpture Museum, Glyptotek, in Copenhagen. Along the River Neva, St. Petersburg White Nights

More from the ship

 

Back on Travel: Line Photos

Carved type from the V&A, London

Now that business is posted (if you missed the latest on the workshop front, either download or go back a day for details) I want to continue my posts of photos from the summer's wonderful journey through Scandinavia. I'm posting these by Sensory Alphabet category --just for fun, and because this blog serves me as a kind of collection jar for memorie, studio actions, future ideas and playdates with ideas.

So today's idea is LINE. Here are some of the photos I took that jumped out of iphoto:

Potsdamplatz, Berlin

Stockholm horizonVasa rigging, StockholmRepainting the line

Bridge between Sweden and Denmark

Tallinn street scene

The line the wall made, Berlin

Berlin

World Shapes: Art-making Inspired

Memorial to the Murdered Jews of Europe, Berlin

Next up: the  shape collection from the summer travels. (Previous installments in the two previous posts include Movement and Color, see the sidebar for links.)
Some things I might try from these inspirations:

1. Think of the grid as a pattern of shapes and use it as did the artist who designed the Berlin Holocaust Memorial.

2. Try making a columnar shaped art quilt, like the Estonian tower.

3. Use the paving stone and manhole cover collection (I took lots of these photos) to make thermofax screens for an art cloth series.

4. Use the shapes of the plaster casts from the Victoria & Albert Museum to inspire some altar-shaped pieces.

5. Make a phototransfer of that lovely urn from Kensington Garden.

 Manhole Cover - Berlin

Newton, Sculpture at the British Library

Tower in Tallinn, Estonia, UNESCO World Heritage Site

Medieval stone carving, plaster cast at the V&A, LondonUrn, Kensington Gardens, London

Color: trip photos + how to use them

 Tallinn, Estonia, Old Town

More photos from the Scandinavian trip this summer: these screamed "color" when I went though the digital stacks. I love digital photography, but you have to admit that it makes editing an essential part of the process. Back in the film days, I could never have brought home 2000 plus photos! If you've just tuned in, I'm taking the next seven days (plus yesterday and today) to post pictures from our big summer trip/cruise sorted by categories of the Sensory Alphabet.

Here are some ways that colors in photogrphs (my own and other's) inspire my work:

1. If theiy're mine, I use the photos directly, printed on fabric or other strange materials, then use them as a collage element in my art quilts, or even as stand-alone small fiber pieces with stitching and over-printing.

2. I notice what works compositionally with color in a favorite photo, then let that proportion or relationship inform a piece of work.

3. I like to play a color matching game, mixing colors of paint or dye to match a color that I find striking in a photo or painting.

4. Especially with photos of the natural world, I find new and unusually color schemes that I wouldn't ordinarily think about. Coor is such an important element in my work, I am always working from both intuitive.

While specific images from this trip have not yet found their way into my work, I have gotten some interesting ideas for some new workshops, coming soon to this blog. Meanwhile, here's the color selection to inspire your work!

 

Grocer's shelf near Highgate Village, LondonHydranga blooms at the V&A, London

Very old stained glass panel in the V&A collection

 St. Petersburg, Russia

Summer Palace outside St. Petersburg

Back, already?

It's a blur. Big Trip screams by in a whirl of 3 weeks. St. Petersburg buildings, too.What? You didn't notice I'd been gone. Well, that's OK. I'm sure you've been busy, too. And it's not like I haven't been back  (at least in the real world) for a while.

Admittedly, I've been working some since returning home from the "big trip*" some teaching, some studio redo, another profile article for Quilting Arts magazine, sorting and clearing out, making sure the energy flows in and around El Cielo. But there's also been a good deal of lovely late summer just plain lazing around (while musing on next steps).

When I go on vacation, I REALLY go. I stopped blogging (oh, yeah, maybe you did notice); I didn't tweet but twice; I ignored FB friends; I didn't even go to "meetings." I felt as though all the batons that I'd been juggling --flinging around in the air with at least some degree of grace and style -- fell suddenly to my feet . Dropped, unloved, undone. Thank goodness for roaming  and overseas data charges or I might have been tempted to keep all those lovely little flinging objects up there. But no, I spent my money on pepper grinders, handwoven linen, museum admissions and sundry souvenirs, instead.

But here I am, almost the eve of September '09, back in the virtual studio, having thought about it and decided, yes, I like this little part of my working life, this time on the page that records my studio life and the time away from the studio that informs and inspires it. Writing this blog is part of my practise as a working artist. Writing this blog is part of keeping track of what it is I'm doing and why I'm doing it. It's also a way to market my wares, be it art work, classes, workshops or ideas. Thanks for reading. Thanks for commenting. I'll try to make it worth your while.

And to get back into the swing of things, and to catch up with my own recording nature, I'll be posting a few images from travel over the next week, interspersed with a preview of the workshops we'll be hosting here at El Cielo this fall and winter. Expect a flurry of activity on this site over the next few weeks -- then, no doubt, once I have the momentum going with the juggling act, we may find time for something pithier. (how long have I been promising to do an on-line course?)

The travel photos will be arranged not by place or narratively (you'll have to come over and see the slide show in person for that), but alphabetically  -- that is -- Sensory Alphabetically. Starting now, with MOVEMENT. Can you jusst imagine taking inspriation from some images to create a great zoom, a sudden start, a dance, a circling, a splash, a slippery slide, a flit or flurry of a feeling in your next work of art?

 

Plaster cast of Medieval carving in the V&A, LondonOn the way from London to Dover.

Matisse at the Hermitage

Gate near Church on Spilled Blood, St. Petersburg

 

How we moved.

Rodin at the Glyptotek in Copenhagen

From teh top of a doubledecker in London

Ditto.And wouldn't this make an interesting composition?

 

 

 

 

Color in Bustamante

 

 

 

Imagine painting your doorway pepto pink. Imagine what it's like to open your eyes to a chrome yellow wall, and another, and another? What's not to love about the colors in the little town in Northern Mexico that we visited over the holidays? Folks in Bustamante seemed typically Northern Mexican in their conservatism; our hotel owner was more dour than debonair; the sidewalks emptied by 8 p.m. and we never did find a bar, much less the website-touted mescal factory we had read about. BUT, in color sense, the town was anything buy shy and retiring. Even with many storefronts and homes shuttered in the winter (perhaps to open come summer visits), walls were freshly painted, the door frames bright, and every possible color combination seemed to work with its neighbor -- killing the rather limited notion we seem to have for color harmonies and proper color schemes. Of course the nature played its part, as well, with pink and orange bouganvilla blooms reaching over walls, and branches laden with limes bending over porticos. Then, there were the more subtle hues of the mountains, the early huisache blooms, the clear spring waters and blue skies at the ojo de agua.

 

 

We're planning to stretch the limits of color play at my February workshop, too.  "A Field Guide to Color" is coming up mid February 20-22. If you'd like a hands-on  take-no-enemies  time to work with color, stretching your understanding of the rules, taking on, learning then breaking them, sign up now while there's still space. For details, see the workshop page here. We'll have dye play, painting with hue and value, chakra color meditations and more. The economy might mean fewer long trips or major workshop weeklong outings for many of us artists, so I hope you'll consider this closer-to-home affordable opportunity for an intensive improvisational dye workshop with color at its heart!

 

Thinking, Learning, Creating, Birthing a Book

I think this has been a two, maybe three year pregnancy-- and by some stretch, we might even count its conceptual moment it to, let's see, 48 years ago? (This is hard to imagine, even though I've been there the whole time.)

Forty-eight years ago, I was 12 years old and my parents moved us to Waco from Houston. Where I had won an art class at the Houston Museum of Art from a drawing of a chicken made from a treble cleft sign. I still remember it.

The classes would have been a long commute, so instead I was enrolled in Baylor Children's Theatre, directed by Jearnine Wagner under the auspices of the theatre director Paul Baker. And that was the germ of what became this book, written and designed by my longtime colleague at the drawing desk and composing table, Susan Marcus.

At the heart of that early experience (which was far more than what most children's theater programs or lessons were then or now) and at the heart of the book is the Sensory Alphabet (aka "elements of form") and the idea-to-form process. As kids, we ate it up, as an adult, I still use these simple but profound tools to solve deep and profound problems, whether in the world of art or business, enterprise or interpersonal interaction.

What do these tools do? The Sensory Alphabet gives one a way of talking about, working with and creatively playing with visual and sensory information in ways that help one transform, notice convergent and divergent information, solve problems and approach media, materials and tools with knowledge of one's own strong suits. A conscious grasp of one's own creative process gives the maker a sense of security, a map along the way, an understanding through the tough spots and a way to work collaboratively with appreciation for other's strenghts and talents.

Several years ago, Susan and I decided that the ideas that we had worked with (both as young people and later as co-founders of the Learning About Learning Educational Foundation -- 1968-1985 -- with Jearnine, Cynthia Herbert and Julia Jarrell) were due an update. In our separate and collaborative projects we knew that the creative message, the approaches, the tools that were so a part of our own creative lives needed a new platform for a new generation of parents and teachers. Susan was, I gratefully acknowledge, the driving force for this book. I worked primarily at her direction and instigation --- and the beautiful design work is all hers. I am honored to be listed as co-author and think her quite generous with that shared billing.

It is a work of deep collaboration, with each other and with the past we share, the ideas and inspiration of our Learning About Learning cohorts, the children, the parents, boardmembers, Friends, funders and others who gave us their time and attention. The experience with parents and children and teachers has continued through the work of all of us who were part of LAL -- Julia now directs a program for international teachers through Gerogetown University and the Alamo Community Colleges. Dr. Cynthia Herbert is a consultant to the Houston I.S.D and other educational institutions. Susan and I worked most recently with children at the Aldrich Contemporary Museum of Art in Ridgefield, CN.

Here are the book's concluding pages, with some photos from some of our recent programs.

I think it sums up what we are trying to do.

We need all the children now.

We need the ones who are hard-wired for movement — they
will become the dancers, athletes, coaches — the ones who
have to move to think.


We need the ones who are especially sensitive to the
vibrations and the needs of other people, and animals — they
are the potential police officers, dramatists, vets, teachers,
biologists, managers, psychologists, healers — the ones who
have to feel to think.


The future needs all the children now.


 

We need the ones who naturally think in 3D — the potential
architects, surveyors, industrial designers, sculptors,
homebuilders, urban planners, masons, engineers — the ones
who need to experience space to think.


We need the ones who experience the world in images
— the next photojournalists, graphic and web designers,
filmmakers...the ones who think through their eyes.


We need the linear thinkers - the coming writers, storytell-
ers, mathematicians, planners, draftsmen, playwrights,
logicians, chemists - the ones who think best in linear arcs.


We need the ones who are innately attuned to the earth and
its cycles — the budding botanists, cosmologists, farmers,
astronomers, conservationists — the ones who naturally think
in the larger patterns of our planet.


We need the ones who touch — the next weavers, chefs,
physicians, carpenters, potters, gardeners — the ones who
think with their hands.

 

Notice: The careers listed come from a twentieth century
lexicon. They don’t even scratch the surface of what lies
just over the horizon in the immediate future. Currently,
the “30,000 foot view” of our twenty-first century presents
an awesome spectrum, one that spans large-scale and
critical problems of global survival to amazing discoveries
and possible solutions to those problems in diverse and
overlapping fields of study.


Reflecting on this near future brings our children’s
educational needs into a higher focus. As we noted in the
introduction to this book, our schools, even the best of
them, seem stuck in a pedagogy of the past. Assurance that
our children can participate successfully in this time of
unparalleled change and shifting boundaries of the future
will require their individual creative thinking.

The “Back to Basics” clarion call is of limited reach. It neither encompasses the myriad media in young lives nor provides the thinking tools for innovation that our children need now and tomorrow. And, at this time, parents are the literal keys to opening the doors of change.


We want our New World Kids to be confident of the gifts they
bring into the world and confident in themselves as creators.
Each of them embodies an absolutely unique perspective and
collectively, they need clear vision and the sure footing to
carry us all into the next Renaissance.

The future needs all the children now.

For more information, and a look inside a few more pages, see the website in progress at New World Kids.

If you're in the San Antonio area, Susan and I will be presenting a multimedia presentation and signing books at The Twig Bookstore on December 8 from 5 to 7 p.m. You can also order a book by clicking on the shopping cart link on the sidebar of this blog.

If you live in the Dallas area, you can find out more here about our appearance at the Baker Idea Institute, January 16-17, 2009.

 

Infinite Variety/Creative Choice

Infinite. Abundant. Words that have both spiritual and material connotations. One of my favorite writers, Annie Dillard, speaks of the fecundity of nature in her first book of prose, Pilgrim at Tinker's Creek:

"A big elm in a single season might make as many as six million leaves, wholly intricate,without budging an inch; I couldn't make one.a tree stands there, accumulating deadwood, mute and rigid as an obelisk, but secretly it seethes, it splits, sucks and stretches; it heaves up tons and hurls them out in a green, fringed fling."

And I worry sometimes about having too many ideas. You may worry about having too few, but my experience with artists is that's its always too many. I suggest that for today, just today, you and I take a page (a leaf?) from the elm and just make what needs making, at whatever stage that is, for whatever purpose, and if the caterpillers come, or the shoot withers, or the bud never opens. Well, there are at least 5,999,999 more to come just this season.

The photo that sparked this thought  (and, now my desire to reread Dillard's classic narrative of her year on Tinker Creek) were taken on a campus walk with friend Susan on the Rutgers campus. This little garden must have a horticulture department at its source -- the variety of late summer pods, and blooms and leaves, colors and shapes and textures, is enough for a lifetime body of work. Surface design, indeed.


Does anyone know what any of these flowers are? They were all unfamiliar to me. And If that spiny leafed plant will grow in my climate, I want it. Surely that would be deer resistant!


Material Inspiration


Don't you love it when an artist uses unusual and intriguing materials that completely surprise and enchant? So it is with this installation by Caroline Lathan-Stiefel at the Mason Gross Gallery at Rutgers University. I have seen Lathan-Steifel's work in magazines but never up close, and what she does with a pipe cleaner is simply stunning.

Lathan-Stiefel makes me want to push the envelope with other materials. too. (Like my sister ACN artist Rayna Gillman does with old kitchen tools and printing and soy on fabric.) Perhaps this work will inspire my garments for this year's FASA Runway Show. Can't you imagine an entire ensemble or two constructed with similar techniques and materials?

 

Interesting enough, just up the street from the art school's gallery, and at another Rutger's art must-see, the Jane Voorhees Zimmerli Art Museum, is a work with similar linear interest. Russian abstract expressionist artist -- nonconformist, though apolitical-- Evgenii Mikhnov-Voitenko in this undated work, an untitled oil on canvas, was working with a similar vocabulary of shape and line. Here's the detail, then the entire work. I love how the synchronicity of creativity speaks across oceans, decades and even the choice of media.


Art Quilts by the Sea


Rockport, Texas is a bayside town with a reputation for artful activity -- lots of galleries, art events and an active community of local artists. Saturday at 4:30 pm I'll be presenting an artist's talk in the Garden Gallery of the Rockport Center for the Arts, that's where my small solo exhibit of (mostly) new work is on display through the end of August.

I'll also be teaching a Color Workshop in CalAllen -- another small town near Corpus Christi. With 22 registered, its one of the larger workshops I've taught! We'll be playing with the color wheel, dye, paper, paint and trying to find color palettes for each person to stretch their imaginations while holding personal meaning.

I'm behind on blog posts this week -- simply too much going on! But several folks have promised to send me photos of the New Braunfels exhibit, and, from all reports, the show there is getting good traffic and lots of buzz. People are still amazed to find out that many fiber and textile artist start out with white cloth and end up with incredible one-of-a-kind garments, quilts, wall art and applique work.

Trip Pics

 IMG_0251.JPG

No time to write, but here are a few pictures from the latest adventure: a trip from Waco to Salida, Colorado to see sister Rosamonde. Sister travelers: my sis-in-laws Toogie and Cindy, my cousin Alana. Cindy is conducting daily yoga classes. Toogie is brainstorming with us about her Zombie novel in progress, Rosie is providing comfort, peace and sightseeing advice, Alana keeps us all laughing. We're eating well and listening to podcast archives of  "A Splendid Table." Pure-dee-fun is being had on all fronts.

IMG_0246.JPG 

5 Ways to Jumpstart your Creativity, Pt. 4

Buranoboat.jpg

 

4. Travel.

OK, every year can't bring a capitol letter Vacation (like last year's 3 week trip to northern Italy). Every month can't include even a weekend outing to someplace a bit closer to home (though I apparently think so with April's trip to Rockport, June's to Corpus Christi and this month's trip to see my sister in Salida, CO). BUT, even with gas prices what they are (and I don't want to hear another word about that as long as y'all are out there drinking bottled water), travel is truly broadening and amazingly good for the creative juicer whether it's in real time and space or a virtual trip across the universe via web sites and other-people's-trips.

medinalake.jpg 

Think about these possibilities:

 First of all, whichever trip you take, take a sketchbook and journal, ideally a digital camera, along with you. Collect ephemera and souvenirs, take photos, better still sketch and watercolor, interview the experts and the locals. Be adventurous. Don't stick to the tourist destinations, but find out how people live, what they create with their hands, what is eaten, what it' s like to live under that sun. Write in a cafe or under a tree. People watch. Try the contour drawing trick (Pt. 2 of this series.)

Then: 

Prowl the downtown and tourist destinations in your own community. I am never more flabbergasted than when I ask San Antonio residents how recently they have visited the San Antonio Missions National Historical Park and hear that its been a.) years, or b.) never. Hey, some people pay big money and take lots of time to come visit some place you drive by every week. One little day trip or weekend outing can cost little in time and give you an enormous boost to creative visioning when you travel with that intent in mind. You can even take public transportation to a lot of these sites.

Choose a country, city, natural wonder or other vacation destination to study for a month or a season or even a year. Pick some place that fascinates you for its visual, historical or symbolic power. Check out books from the library, even audio tapes and movies. Go to museum exhibits and concerts that originate in your vacation place. Learn a little of the language. Start an imaginary itinerary. Keep a travel journal "as if." Draw from photographs, literally and figuratively for your muse.

turtle.jpg
Spend just a weekend at a retreat center, state park, or natural area, or an out-of-town workshop venue (like my El Cielo Studio retreats), or some place else that takes you away from your ordinary day and your ordinary city/suburban life. The place might be a spa, it might be a swimming hole or a river raft trip. If you can't afford to go further, spend an entire day at a city park. Take food, drink, books, a quilt to lie upon. Listen, look, experience the weather from dawn to dusk. Live in the natural world, so that means no cell phone chatter, no IM, no radio or ipods. I think of this as a trip away from technology. You can even do it in your own backyard or on the balcony.

Start planning and saving today for that dream trip next year, or the year after. Be realistic, but not too realistic. My experience has been that once I commit to a plane ticket, I will find both the time and the money for everything else, even with the EURO rates lately. It is all too easy to think you'll never have the money or time to see a part of the world that calls to you. First step (if your destination is out of country, get that passport this month). It always helps me to do this one with companions, then its harder to back out.

fooditaly.jpg 

 Eavesdrop on someone else's travel. There are tons of web sites where intrepid travelers tell you all about their wanderings, and then there is Anthony Bourdain, No Reservations on the Travel channel. Another great trip I've taken lately has been with Bill Buford in Heat, a great audio book or read about his education as a cook with Mario Bateli and in Italy. You may notice a trend here, see the next suggestion.

Cook your way around the world. Try a different recipe from a different country each week. Seek out an ethnic grocer if you can in order to buy the ingredients, or order them from an ethnic grocery supplier online. Cooking and art go together in my mind. I think of ingredients the same way I think of colors. I like to look at new ones, and new combinations of them. I eat visually as well as with my mouth. Food is an amazing way to explore another culture, country or part of the U.S.

Then, what to do with all this input. Create with its energy. With the new eyes you had to have. With its content -- sketches, paintings, fabric altars and quilts, photo albums, amazing travel journals. Artist's postcards and ATCs, you'll figure it out!

 

 

Sea, Sun, Peace, Place

 jetty1.jpg

The last three days we've spent several hours a day kayaking, walking, dipping into the surf. Relaxation for the mind, body and spirit. What's on the reading list:

Martha Beck's The Four Day Win, an interesting and convincing "anti-diet" book by a Harvard-trained life coach. I'm tryiug out the Four Day Win practise. More about this strategy for change later.

Sue Monk Kidd's First Light, a compilation of her early writing, mostly for Guideposts magazine. (on audio in the car)

 John Sandford's Invisible Prey, a mystery thriller by  this best-selling author  -- the first of his I've read, and so far, this one about two vicious murderers who are also art thieves, is a great beach read.

Keith A. Arnold and George Kennedy's Birds of Texas, a new field guide, since I can't manage to remember to bring any of the seven birding field guides I have at home (real truth: field guides of all stripes are among my favorite affordable luxuries)

jettysun.JPG

 jetty2.jpg

I'm a dip in-and-out reader and like to have a several things in different genres going at once.I beg that you share your favorites as we've just canceled the TV satellite service. (DirecTV wanted to charge me  $100 to remount the dishes after we put gutters on the house. Why a company will give you free service for new accounts, even free service if you move to a new house and then want to charge for the same service to a longtime customer, I don't get. When I called back to cancel, they  did offer to move the dishes for free -- too bad, by then, we'd decided we don't watch enough TV and would rather have the $ for something else. I subscribed to Netflix and paid for an out-of-county library card -- there's a new branch on my usual path) and I guess I'll find someone to tape Top Chef and Project Runway or get them on tape!)