Five Ways Travels can Enrich Your Art

As I plan a trip for the summer, I want to remind myself, that even on "vacation,"my artist /maker mind is not vacant! In fact, what an artist date, extended and intensive. We all know that, but here are my tips for making travel especially productive and mind-feeding. Let me know any other travel habits you have that awaken, energize and contribute to your artistic vision, tools and skills.

1. As a surface designer and art quilt maker, I don't take along too many tools of my trade, but I DO take the  makings for a travel journal that I add to along the way. My essentials: small format sketchbook (small enough and light enough to carry with), watercolor pad and brush, black ink pens, glue stick, scissors (packed in the luggage so I don't get them confiscated).

2. Take photos (and edit as I go, this is from past experience). Use them for inspiration, printing on fabric, motifs and designs to turn into thermofaxes and stamps back home. I usually don't post until I get home and have time to mull over the best images to share. Usually sorted by Sensory Alphabet theme. I try to take not just the long shots, but lots of details. Usually pick a theme or topic to shoot consistently (I have an amazing collection of manhole covers and street paving stones.) I think I'll look for shell design elements this trip.

3. Museums, museums, museums. Duh. Also historical sites, gardens, etc. I do occasionally (where legal) snip and press leaves from what are exotic trees for me,  to use for screens and thermofaxes back home.

4. Dollar stores, Euro Stores (or whatever the local currency equivalent) for a different set of (usually Chinese-made) stuff that can become stamps, stencils and texture tools. OK, this is sometimes a silly use of luggage space, but I am willing to take old undies and even slacks that I will leave behind in order to take home some weird, wonderful find. Oh yes, cheater readers in the fashion of the place. You gotta see, right?

5. Maps, brochures, ephemera. Also go into the travel journal. Also rich mining for future work. And helps the memory when others travel to the same destination. A network of traveling artists is a wonderful thing to have!

 

Two Weekends for Play and Passion

 

Not to mention: pears, peaches, pool (cool), plenty, and well, just lots of fun.

Coming up: July's Play Art and Attention and August's El Cielo Workshop will be hot-as-lava, fired-up with spirit and full of heat-based artcloth techniques that take advantage of the weather, the countryside and the grand vistas to inspire a new perspective on life, the artist's path and your place on the road.

First, we'll put play to the work of imagination and inspiration, with a variety of surface design techniques and creative exercises that open up possibilities for all kinds of new mixed media on paper and fabric. AND, we'll take a mid-year look at your annual art goals, how to reinvigorate your artistic studio focus, and set up some targets to hit with intention. Play and focus come together with a bit of yoga, some time in nature, and your hands in a zappy happy mix of new and fun materials.

In August, spend a couple of days exploring heat related techniques: textile paint sun-printing, rusting (afterall, a slow oxidation -- or burning -- process) and kitchen utensil and vegetable printing. We'll put your new fabrics together in a small art quilt art  Kitchen Altar, using a wooden frame and stitched work. Enjoy an August retreat from city's heat -- sure South Texas and the Hill Country are hot even up here in on the ridge, but it's always 10 degrees cooler at night than in the asphalt-ribboned city (and there's the pool, too). 

 

We'll be taking advantage of the  heat, with dye processes, using batik on fabric and to create screen-printing and more. Use the heat of the season to ignite your creative imagination, enjoy a convivial time with other artists and feast on the bounty of the season (some of it from El Cielo's own new veggie garden). 

If you're interested in making artcloth like the ones you see here

PLAY, ART AND ATTENTION

July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP

August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. 

For more information, email me with the contact form on the sidebar. 

 

From Photo to Fabric

Time is running out to register for the next Photo to Fabric workshop at the Southwest School of Art:

The workshop is Saturday and Sunday, June 18-19 from 10 am to 4 pm. We'll be working both with digital media and with photos as a design inspiration for paint, stamps, color palettes and composition.

Class Sessions: 2

Maximum: 10

Location: Surface Design Studio | Navarro

Take your favorite photos and use them in original fabric art - both directly printed on your own fabric and as inspiration for a fabric collage to stitch later. Bring an assortment of photos, print or digital (on disk or flash drive) to the first class in order to select those that work best with each technique. You'll learn to make two different kinds of photo prints on fabric using an inkjet printer, and also enlarge, simplify and transfer a photograph to a larger wall fabric art quilt format, for later quilting or stitch work at home. Please see SSA website for a materials list. Bring a lunch each day.

Illustration Workshop with the Maestros

 

Today twenty Central American teachers are at El Cielo for the first of four design workshops. Today, we looked at several children's books (they will be making their own later in the summer), and at how the artist's had worked in different and varied styles. Like many adults some of the teachers are shy about their ability to draw --- though I think they have fewer reservations than most Norte Americanos I know!

 

One of the great books I shared was Faith Ringgold's Tar Beach, with illustrations similar to those that she used on her amazing and groundbreaking art quilt Tar Beach, made in 1988. The story combines autobiography and fictional narrative, and the pictures are delightful, as is the story. (Photo above from the Brooklyn Museum)

ANd here are my illustrators. Each teacher had to produce four versions of an illustration of an event from his or her childhood. THey worked in paper collage, magazine collage, ink and watercolor, crayon/oil pastel resist. We discussed their strongest style, what was most fun, most challenging. Next Friday we'll do a printmaking workshop that works with the same narrative images.

 

 

Art Play Day Number 1

 

Pat Schulz demonstrates the basics.

 

A small group of fiber artists and mixed media artists have committed to monthly (more or less) play dates, no end product in mind, but a time to explore different media that perhaps one or more of us has never explored. The first hands-on meeting was last week and we went head-to-head in Pat's Beacon Hill studio to experiment with tissue paper fabric (or is is fabric tissue?). The number has been limited to four, since that makes it possible for us to meet in each others' studios, most of which are fairly small and compact. We're taking turns organizing and teaching, and also play every fifth meeting to be a show and tell session where we each bring back one or more pieces of work that use one or more of the techniques explored in our sessions.

Whatever its name, this is a dry process (unlike the wet process using gel medium or glue that I was familiar with). Using Steam-a-Seam (best because it has a tackiness that holds the initial layer in place) or WonderUnder or another fusible webbing, ltissue papers and collage materials are layered between two fused web layers, then the top surface painted, then the whole sandwich of paper and fusible is ironed to a fabric "liner." One can make subtle and distinctive layered images that can be either treated like a paper collage, or if bound to fabric, stitched into other fiber media.

The end results (and some shots of the participating artists):

 

Beautiful experiments from Liz Napier

 

Pat Schulz's experiment with pattern paper and tissue...

 

Sue Cooke hard at work.

 A cactus from tissue and pattern paper, fused to a gallery canvas frame 12"by 12", one of my projects. Think there's a little series to be found, as I am fixated on my cacti these days. 

 

May is Artists Soul Retreat Month

Thanks to dear friends Robin and Emily for the color-coordinated orchid! In honor of the recovering Linda. And the current chief chef and bottlewasher. And to those looking for a little visual treat where ever you are.

Just a reminder to you, me and all of us. (As I post more than one blog entry today to try and "catch up," that impossible and daunting task.) Here's an excerpt and some links from the CREATIVITY PORTAL by artist and coach Chris Dunmire:

"Self-care coach Linda Dessau was the first on Creativity Portal to write about the Artist Retreat, a kind of vacation that helps artist's (of all kinds) to get outside of their usual routines, connect with other artists, and contemplate their creative dreams in a larger context. In her article 10 Signs You Might Need an Artist Retreat Day, Linda encouraged awareness for signs of creative burnout and showed how we can incorporate elements of a retreat into our daily lives.

"My first retreat came 20-some years into my working life and consisted of two weeks alone in a rented cottage in the Arizona mountains where I had no creative expectations and took replenishing daily walks and naps. I focused on being "unplugged" from work demands and spent important "me" time reconnecting with my body — and myself — under cool starry night skies. I did some creative things and read a lot, and discovered the new joy of snail-mail art. I came home to a full inbox and lots of work waiting for me, but that stuff is always there. The nourishing gift of a retreat, however, is not.

Some may call them retreats, vacations, or sabbaticals. I like the idea of combining the best of them all into an Artist's Soul Retreat (with emphasis on self-care of the soul). Let's celebrate May with creativity and self-care!

And, in the same vein, I have rescheduled the Markmaking Workshop to June 10-12, to accommodate home schedules - fortunately, those already signed up could make the switch, but there is still room for a few more participants -- as well as for the other summer El Cielo retreats. Here's the text version descriptions:

 

Sign up early (at least 30 days in advance with a $25 deposit) for a $15 discount on the $175 fee. Email me susiemonday@gmail.com for details. Workshops generally start with an optional Friday night potluck and fun activity or two, then continue through 3-4 pm on Sunday afternoon. Most supplies included.

UFO WORKSHOP June 3-5

UFO, “unfinished fiber object.” Bring along work that needs finishing, needs one more layer, needs some concentrated time and attention (or work that’s stuck for need of constructive critique). Enjoy the resources of the studio and the advice and support of peers. We’ll customize the techniques to the tasks at hand.

CHANGE OF DATE
MARKMAKING, MAKING YOUR MARK  June 10-12

Markmaking can be what distinguishes one person's work on paper or fabric or any medai from another's - their personal style. Using color, line, shape, rhythm and textures, students will explore traditional and new media as well as techniques for personal markmaking. Techniques to be covered include deconstructed screenprinting, stamping, using paint sticks and monoprinting with gelatin plates. No matter what your experience level, you'll gain confidence in working with layered media and find your strongest media for the marks that make your work unmistakably your own. 

PLAY, ART AND ATTENTION   July 29-31

Making time to play with odd-ball materials; learning to focus upon artful tasks at hand -- sounds like opposite sides of the coin? At this exploratory and full-of-play weekend, we’ll explore the relationship between the time, play, art and focus. Where does time management intersect with open-hearted fun? Expect bubbles, playdough, sparklers, jello, yoga and seeing the world from new angles and attitudes. 

BURNING WOMAN WORKSHOP  August 19-21

Embrace your inner goddess of summertime. Design and make a small art quilt “altar” for kitchen or dining room with tools and materials that depend on heat, sunlight and passionate delight: sun-printing, vegetable prints, fusing, hand and machine stitching and “found” fabrics from attic, thrift store or kitchen closet. We will recycle napkins, tea towels and other like objects and design a thermofax featuring a meaningful symbol, favorite fruit, icon, saint, culinary heroine, angel or other meaningful design as the centerpiece for the altar. (This workshop has an additional $12 fee per person for the altar boxes that the quilts are stretched upon.)

This spring and summer I also will be teaching occasionally at the Southwest School of Art: June 18-19 - From Photo to Fiber (using various techniques to design art quilts from photographs), August 1-5, mornings, New World Kids: for parents wishing to nurture creativity in their children.

OTHER POSSIBILITIES:

Flying or driving in from afar for one of these weekends? Or just want some solo supported work time in the studio? Add one or two days of instruction in the studio for learning techniques that you are interested in. Each custom designed workshop and night’s lodging and meals costs $225 per person. Limit, 2 artists per session Many of Susie’s workshops go on the road! Please write for available dates and fees.

WHAT PARTICIPANTS SAY: 

“A workshop at Susie’s is always money well spent.  I learned techniques I have read about but never tried ... I also now feel confident that I can make art quilts!”

“This workshop was a fabulous, uplifting, nurturing environment to create in. The journaling was particularly helpful, I would definitely recommend it to a friend.”

“This weekend was totally awesome! I am humbled by Susie’s talents, her teaching abilities and her hospitality. I will come back as often as possible.”

 

 

Cook Like an Artist, 1

At Linda's encouragement, I'm starting a new "collection" on this blog of posts about food and how I cook "like an artist." I've had lots of requests from those visiting El Cielo Studio for recipes for the food I serve at the artist retreats -- but, hey folks, I don't measure. So its had me stymied and seemed like way too much trouble to slow down and measure. 

But, as I thought about how I do cook, it occurred to me that I cook the same  way I make art, and I could describe some ideas, some techniques that might be fun for others who want to experiment with flavors. At the very least, I'll clarify to myself, how it is I am thinking when I am playing with food, creating new dishes or variations on old ones.

First, the ground rules. No exact measurements. I'll be general, but usually, the way I cook, you can do a bit more or a bit less. Its why I am NO BAKER. You will find no cakes in this collection. Baking is as much a science as an art, and it takes exact (or more exact) measurements.

Second, think of the color wheel. I cook with a mental "flavor wheel" in mind that kind-of is the taste/smell equivalent of the color wheel. I mix, match and come up with complementary flavors and textures and "notes" that are kind of like mixing and matching and using color in a piece of visual art. I'm not sure how well this analogy will carry throughout, but it's how I'm starting out. For example, an earthy ingredient always needs a spark of the opposite spicy or sour or fruity to bring out the flavor. I always try to have something light, intense and a high-note, with something rich or heavy and meaty. That's why barbeque sauce works.

Think of the "colors" on your flavor wheel as these broad categories of taste: salty, spicy, bitter, sour/acidic, sweet/fruity, earthy, meaty, grain/carbo -- yeah. there are a few more here than the "formal" ones of salty, sweet, bitter, sour, umami. And technically, earthy and meaty are probably both dimensions of umami -- but in my brain, they operate a bit differently. And grain/carbo is as much a texture as a dimension of flavor-- but I didn't promise scientific consistency here.

Texture operates in cooking a bit like value. Intensity exists in flavors, too. Color is color, both literal and flavorful. Let's see how this analogy plays out in the sauce and ravioli I made last night:

Red Ravioli for a Rushed Wednesday

This is a monochromatic sauce with various intensities all in the RED family, with little zaps of green herbs to complement and lift the flavors. 

Sauté in about 1-2 teaspoons good quality olive oil: (Whoops-- basic cooker techniques will slow me down, so look at this link if you don't know what saute means -- and go to this wikipedia outline to find out all you'll ever need to know about cookery techniques) the following in quantities that are interesting to you -- the amounts are just what I did last night, and I'll probably never repeat the dish. I

FROM MEATY RED: 1/2 large homestyle pork/beef smoked sausage, chopped

FROM SWEET/FRUITY RED: 1 large red bell pepper, chopped

and 6 or so chopped sun-dried tomatoes, (if not packed in oil, reconstitute first by soaking in warm water for 10 minutes) IF you only have fresh tomatoes, cut into eighths and add them the last 5 minutes of cooking.

FROM SPICY NEUTRAL/INTENSE: 2 cloves or more of garlic

and SPICY RED/INTENSE a sprinkle of red pepper flakes (or use a splash of Tabasco, black pepper, cayenne)

COMPLEMENTARY FLAVOR FROM GREEN: a handful of chopped herbs, nothing too noted intense or highnoted- -- I used Italian leaf parsley, a few sprigs of thyme, 2 small sprigs of basil (also all from the garden, easy to grow!)

a couple of green onions from the garden, sliced, including tender green tops

Sauté for about 15 minutes on medium heat, stirring occassionally so it doesn't burn, but browns a bit, crisping the herbs. Meanwhile, as the sauce sautes,  cook the ravioli according to the package in boiling water.

At the last 2 minutes of so of sauce cooking, throw on one more RED flavor, smoked paprika, about a tablespoon full, adding EARTHY RED.

Toss with your ravioli and serve with a complimentary green salad including some bitter-sweet-spicy spring greens like arugula or swiss chard or endive, a citrusy vinegar olive oil dressing (more on salad dressings later) 

Grate some fresh Parmesan cheese into large flakes or curls for a garnish, along with another couple of sprigs of parsley.

The way I see it, if you stayed with the basic idea of RED, with a bit of green to complement, you could do this same recipes with lots of different RED meats, different SWEET FRUITY REDS and SPICY reds and serve it on a wide range of carbo/grains.

You can substitute other meaty flavors, or serve it with a different kind of grain/carbo flavor, but I made the sauce to toss with frozen cheese ravioli (one of the freezer staples from Costco). Other ideas -- serve the same tossed with couscous or brown rice, or any other kind of pasta. Or top a big bowl of greens and beans with it.

If you are a vegetarian, leave out  the sausage or add in a red smoked type soy version, or use chicken thighs or  red spiced chicken or turkey sausage if you don't eat pork or red meat.

For example: next week I might try the same formula but using chopped chicken thighs with fresh tomatoes, red onion, earthy brown mushrooms, red peppers and the same spices and herbs. OR it might be interesting to try with sauteed plums instead of tomatoes. Since that's a real fruity flavor, it might need a bit of cinnamon or allspice, too. On couscous or egg noodles, or maybe on spaghetti squash!

 

 

 

 

 

Happy Birthday to Me ...and thanks to all who make it possible

Yes, you, my friends, my family and readers and supporters and sister/fellow artists. Without the support and encouragement of all of you, my life would be far less than what it is. I am fortunate to spend my time in work and play that I am passionate about, intrigued by, immersed in and always learning from. I am grateful for those who sign up and pay for workshops, who buy my art, who find and help me with other gainful employment, always creatively challenging. And for those who read and comment and make my day by passing along a blog post or two.

Today I am spending the day in my usual dance of work and play, making a few phone calls to set up projects (the latest non-art gig is to develop a curriculum for Villa Finale, a National Trust for Historic Preservation property), spending some in the world out there via internet and working on a new quilt design. It is incredibly difficult to realize that I have been on this earth for 63 years -- I still seem to spend most of the time looking out from a 7- or 12- or 28- or 35-year-old brain. Somehow I seem to be all those ages, plus more, all at once.

We spent the Easter weekend with family, my parents in their mid-80s, a whole raft of nieces, nephews and cousins of nieces and nephew, a feast of many hands, a spring (albeit too dry) afternoon with blessings for us all. 

Here's to staying healthy, happy, thankful and playful, and I hope you all join me in a toast to life today and every day. Poetry, welcome.

From Photo to Fabric -- Image Prep for Thermofax

Continuing the on-line investigations today (yes, I'm home and laying low with a spring cold, it seems), I've been looking for a good on-line photo editor that will take the place of PhotoShop for those of my students who don't own the software. 

 

The original photo

Since my knowledge of Photoshop can be contained in a thimble (I use it exclusively to resize photos and to turn photos into high contrast black and white images to use to make thermofaxes), it doesn't take too much to satisfy this tech need. And I found much more than needed with Pixlr. And even Pixlr Express will do what I need for converting to a thermofax-friendly image. Pixlr has been around for a while so it may be familiar to you -- best of all, of course, it's free and it takes up no room on your computer. You can save the images you create or alter into several different formats including jpeg and tiff files.

 The photos in this post show several different conversions using different tools in the software. Here are the tips I can share so far: use "desaturate" to convert from color to black-and-white. Up the contrast all the way, adjusting brightness as you see fit. These actions take place under the "Adjustments" tab at the top of the image editor. Then under "Filters" apply the "art poster" effect, moving the toggle switches to see what different effects you get. If you want a "noisy" print, use the NOISE filter before you play around with art poster.

Try your own combinations of actions and order of actions to vary the image. You'll find a rich field of image ideas to convert to thermofax screens, stencils, traditional screen-prints or even stamps with cut foam or surestamp.

 

Designing with Text, Up in the Cloud

In a nutshell, it's Wordle. 

http://www.wordle.net/

The graphic above is the word cloud generated by Wordle using the text in this blog site! You can use any site, any text block, anything you want to type into the program or copy and paste. It's fun to scroll through the gallery, too. Lots of design uses for this program!

This is a great word cloud design site, passed along to me from Caryl Gaubatz via Pat Schulz, who knows my interest in text on the surface. I'm posting it here, not only to share, but I find that it's helpful to use my blog as a kind of electonic filing cabinet of ideas I want to explore more!

MORE: the developer of Wordle referred me (via his posterous page) to another, newer word cloud design generator -- http://www.tagxedo.com/app.html 

With Tagxedo, you can also put the cloud into a specific design shape or form and manipulate more of the criteria for the design. 

Artist in Residence: Jack Brockett

Jack Brockett, artist and storyteller extrodinaire visited El Cielo Studio for a couple of days while his wife Anne was in San Antonio to plan the 2013 Surface Design Association conference. (OK, get those dues paid San Antonians!) (And check out the new SDA website that Anne has worked on this past 6 months as interim director -- she's on for another year, too, so expect great energy and member-friendly services from SDA.)

Jack, as many of us know, is a one-of-a-kind vortex of energy, ideas and an eye for excellence --and it was a delight to have him visit (thanks to Mary Ruth Smith who suggested it). Jack just finished with a workshop at Round Top, his first teaching gig of 5 years after a health crisis. The fiber show at Copper Shade Tree features some of his work, and that of other fiber artists  in the annual juried exhibit.

Jack shared the work that he had with him for examples at the workshop -- spectacular pojagi seamed jackets, art quilts emboridered with dragon flies, and a new series started with red ants. I got a private pojagi seam lesson, the steps of which I hope I remember -- I'm headed out to try it a -- I need the required machine foot #10 for the 1/8" tiny seams -- but for now, I'll do a wider version and see how it looks.

 Jack's stories regailed us at table; we feasted. If you have an Texas storyteller in your clan, you'll know what that means -- howlingly good tales filled with cows, Neiman Marcus hats, old bats and hoop skirts. Jack sewed seams for a new piece, and toured the neighbor's house; Pat Schulz and Sue Cooke came out yesterday morning for an art date with destiny. I've been cleaning the the studio and finding things I didn't know I had. It's been lovely and inspiring. We all need artists-in-residence, tribal gatherings, support for our visions and food for the soul. Thanks, Jack, for all that and more!

What I learned... (Text on the Surface)

Starting today (Monday afternoon), there's a five-week course at the Southwest School of Art -- Text on the Surface. If you're in SA and are interested, I think there is an opening for one more student.-

This was the course I attempted to design as an online course, only to discover that I am "not-so-good" at teaching online (as the kids say). Thanks to all the text test pilots who suffered through it! I suspect that I could get better, but I am not sure I want to until I can't get out there to teach in person any more.  I have a hard enough time with my interpersonal intelligence skills (or lack thereof) in person and trying to interact online in a teaching situation certainly pointed up my weaknesses. (I am the kind of person who can spend an entire evening with a feuding couple or two in the clutches of an extramarital affair and never notice anything.) The nuances of interacting online often evade me, whether it be via email or listserve. So while I have certain technical facility with it all, I seem to lack the ability to make the charisma leap -- or something!

Perhaps just putting out an e-book would work -- but I had a really hard time trying to interact, give feedback and provide guidance in an electronic "classroom." Fostering community online evaded me. And I suspect, as with realtime teaching, that that is what all of us want in an educational situation. 

Believing that its always better to work from one's strengths, I am sticking to the actual world for teaching and facilitating for now, So if you were waiting to hear about an online course, wait no longer. This working from one's strengths means that sometimes you do just make a u-turn. Find another way; back up and begin again.

It smarts. At 62, I, like a lot of people my age, don't really like being a beginner at anything. We prefer to stick with our success stories. We often do know what we like to do and how we like to do it. On one hand, that focuses our attention and keeps us from wasting the time on the planet we have left, but it can also lead to stagnation and boredom. So even though I am not continuing with the online adventure, I'm glad I tried it out and learned something new about myself.

Central American Youth Arrive Today

From the studio this morning, I travel to Selah, Bamberger Ranch, to help facilitate a workshop for youth ambassadors from Central America and South America. The kids, arriving here from Idaho (I think the weather will please) are participating in a three week program hosted by USAID and Georgetown University. After staying at the Ranch and participating in some media workshops, they will join Texas families for the rest of their stay. We'll be presenting work, thoughts, art and more on our themes related to leadership and entrepreneurship on Saturday at 3:00 p.m. at the Southwest School of Art.

Yesterday, I met the new group of SEED teachers -- Central American rural teachers here at Palo Alto College for a year of training. A wonderful team of spirited, strong women and men worked with me learning to lead and assist in some of the activities with the youth ambassadors. A team of ten will join us at the ranch and another team will assist in activities on the river and at the art school. If you'd like to follow along with some of the ongoing projects I do with these international programs, click over to the posterous blog at http://SEED2011.posterous.com and subscribe for updates -- or just check in occasionally to see what's going on. 

Pattern Language

As I head into a busy week (aren't we all?) here's a couple of pictures of platters by my friend Mary Lance. Mary also works in fiber, so we get to share techniques and ideas in that media as well. What I love about this  new work of hers is the exuberance of pattern. 

I think the cross-referencing of ideas from textile to clay is really interesting- I could see these as the inspiration for work in fabric, too.

Art Cloth Network Call for Members

If you're a creator of art cloth, consider joining Art Cloth Network. The group, which is limited to 30 members, actively promotes and exhibits art cloth. We will be meeting this fall in Florida (attending the first meeting is required for new members). Here's the official info about applying: 

Art Cloth Network Membership Information and Application Process

Thanks for your interest in becoming a member of the Art Cloth Network. Those of us who are members find that the opportunities for community, conversation, sharing of techniques, inspiration and resources benefit our art and creativity. We have recently increased our membership limits to 30 members in good standing, including those on formal leave. When the number falls below 30, we accept new member applications. We currently have openings for up to 6 new members.

While some of us also make art quilts or mixed media work, the group is focused on art cloth and its specific surface design techniques and approaches.  This includes making lengths of cloth, rather than small samples or fat quarters. Please read the information about art cloth on our website and look at examples, to make sure that you are interested in this field.  Only those artists who submit examples of art cloth that meet this description will be considered for membership.

We meet as a group every 9 to 10 months in different regions of the United States, usually between August and October. Since these meetings are critical to our growth and vitality, we require attendance at 2 out of 5 consecutive meetings.  Membership begins with the first meeting attended. Members bring and discuss their work at these meetings, and we share other professional concerns and opportunities. Previous meetings have been in Texas, Minnesota, Illinois, Florida, California, Georgia, Arizona, and New Jersey. The 2011 meeting will be in Florida.

We also produce a new exhibit annually, with a call for entries each year. Since opportunities for showing art cloth are limited, this is an important membership benefit. Members are required to enter two of five calls for entry in order to maintain their membership status.

Only applicants who can and will attend the next meeting will be accepted into the Art Cloth Network during this membership call period. That meeting will be in or around St. Petersburg, Florida on either October 13-16 or November 10-13, 2011. Full details about the conference and this financial commitment will be mailed to those extended a membership invitation.

The current deadline for membership applications is March 15, 2011, and you can send in your application materials at any time prior to the deadline. You will be notified by April 15, 2011 whether your application has been approved. 

 

Send a request to susiemonday@gmail.com in order to receive the POSTEROUS application site address.

Time Flies

 

Watch this YouTube video by artist Eilrik Solheim and be reminded how quickly the year flies by. Awareness. (I'm tagging my posts this year, when relevant, with one or more of the three As of Awesome, as proposed by Neil Pasricha writer/blogger)

The back story of how this video was made is here on the artist's page: http://eirikso.com/2010/01/04/one-year-in-90-seconds/

There are also other videos of similar projects with different time frames, zooms, etc, as well as a version made from still images in 2008. This is an interesting example of taking a project from concept to form over an extended length of time. It takes commitment and a willingness to let the process happen over time. Wouldn't it be great to see the evolution of a piece of your fiber art with such a photographic technique!
 

 

Mindfeed -- Thought for the Day

 

Courtesy of the National Film Board of Canada.

As artists, we need to feed our minds and imaginations. This site is one of my new favorite mind meals. This piece on exponential growth is sobering and challenging as I think about my role as an educator for teachers in third world countries. On the film board site are numerous good films, documentaries and interactive media pieces -- I've barely scratched the surface! So bring on dessert now.

http://nfb.ca/interactive

Frugal Art Supply and Me

Here's what Jenn Mason, editor of Cloth Paper Scissors, had to say this morning. Check out the frugal art supply post here or on the magazine site archives at this page link.

What do you get when you have the opportunity to witness artists in their natural habitat? The secrets to their art! This is what I discovered today while watching the intro chapters to three of our Cloth Paper Scissors Workshop DVDs. All three artists, Linda Blinn (Make it Graphic), Susie Monday (Mixed-media Textile Art), and Julie Fei-Fan Balzer (Collage Fast & Furious) made a point of talking about using their drop cloths and cloth rags in their art.

Linda Blinn  

 

Linda Blinn likes to make the most of her stencil overspray by using a poster board as a drop cloth on her work surface. She also uses small sections of muslin as a work rag.

   
Julie Fei-Fan balzer

 Julie Fei-Fan Balzerclaims to use cloth rags instead of paper towel because they make great colored fabrics to work into her art—not just because it’s eco-friendly.

 

   

susie Monday

Susie Monday uses old drop cloths cut into scraps for over-printing in her silk screen prints.

 

 


More on Quilting Arts Workshop Video

I'm in good company today, with Kerr Grabowski's Surface Design video being promo'ed by Quilting Arts ---

View it in a browser 

 

Get Ready For New Adventures in Surface Design!

Grab your screens and explore new techniques with artist Kerr Grabowski. Kerr's history as a fiber artist has been marked by her constant experimentation with and innovative approaches to dyeing and screening processes. Join her in an exploration of successfully integrating a love of color, mark-making, and spontaneity. Whether you already enjoy screen printing or are new to the process, you'll love Kerr's fun and easy techniques for creating whimsically elegant contemporary hand painted and screened fabrics.